Jennifer D. Anderson ARTIST | EDUCATOR

Corporeal Tracery
100 handcut figures, inkjet on vinyl, installation view, Friesen Galleries, Nampa, ID, 2008 Tracery1b 100 handcut figures, inkjet on vinyl, installation view, Friesen Galleries, Nampa, ID, 2008
Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008 Tracery2 Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008
Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 20 view2 Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 20
Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008 view Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008
Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008 Tracery5 Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008
Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008 Tracery4 Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008
Handcut Inkjet on vinyl, detail, Friesen Galleries, Nampa, ID, 20 View3 Handcut Inkjet on vinyl, detail, Friesen Galleries, Nampa, ID, 20
Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008 Tracery3 Handcut Inkjet on vinyl, installation close up view, Friesen Galleries, Nampa, ID, 2008

Presenting the body as nothing but light and shadow and as color adhered to glass; this work focuses on basic human identity, as we are our physical beings. The body is the focus. A body filled with internal organs and processes, with strengths, weaknesses, limitations, and the potential for rampant ugliness as well as profound beauty. A body, that much like a shadow on the wall, does not last forever. A particular poetry exists in how our internal components and the certainty of death unifies all of us. A poetry that is timeless as shown through the work’s reference to the rose windows of Romanesque churches.

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